Post Road Magazine #31
Post Road #31

Issue 31

CRITICISM:
Lydia Davis's "Happiest Moment" and the Convoluted Temporalities of Very Short Fiction — Ezra Dan Feldman
 
FICTION:
Circumstance — Theodore Dawes
Les Abandonnées — Kirby Gann
The Woman in the Barn — Jaclyn Gilbert
Perishables — Becky Hagenston
Children Left to be Raised by Wolves — Carrie Messenger
Doctor Tukes, Off the Clock | Marie to Eleanor, Resenting Her Elasticness — Andrew Morgan
The Room Where Elizabeth Bishop Slept — Paola Peroni
Bells — Remy Smidt
 
NONFICTION:
Elegy for a Cousin — Brad Geer
Color Palette Blue #3 — Sarah Kennedy
Lift Off — Lania Knight
Eleanor — Joyce Underwood
Heart Attack — Sarah Vallance
 
POETRY:
Ode to Trains Departing Billings Railyard | River Country — Jeffrey Alfier
Blessed Holy Fuck — Alan Hanson
Mafiosa | Elegy for the Quiet House — Suzanne Manizza Roszak
Talking Faith with a Friend | Regarding His Alzheimer's — Jennifer Wheelock
 
ART:
The Shape of Things: Various Artists
 
 
THEATRE:
The Bakery Off Flatbush — Steve Monroe
 
RECOMMENDATIONS:
Ann Patchett — Kim Ablon Whitney
Paul Beatty's The Sellout — Wendy Rawlings
Jenny Offill's Dept. of Speculation — Angela Palm
The Stories of Breece D'J Pancake — Jason Ockert
Amo, Amas, Amat and More, by Eugene Erlich, paperback edition, 1987 — Jana Martin
New Dark Ages by Donald Revell — Josh Kalscheur
Kent Haruf's Plainsong — David Huddle
Woody Guthrie: A Life — Holly George-Warren
The Boys of My Youth by Jo Ann Beard — Suzanne Cope
A Town of Accreted Myth": Lauren Groff's The Monsters of Templeton — W.B. Belcher
Marly Youmans's Catherwood — Emily Barton
 
GUEST FOLIO: Edited by Chris Boucher
Letter to a Young Man in the Ground — Lincoln Michel
Selections from The Week — Joanna Ruocco
The Baby — Ethan Rutherford
Carnality — Angela Woodward
 
CONTRIBUTORS

 


Cover Art: Rosaire Appel, "bearings"